with the pedal to the metal {{N Amer }} - definition. What is with the pedal to the metal {{N Amer }}
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  3. with the pedal to the metal {{N Amer }...

%ما هو (من)٪ 1 - تعريف

ALBUM BY COIL
Gold Is the Metal; Gold is the Metal; Gold Is The Metal With The Broadest Shoulders; Gold Is the Metal with the Broadest Shoulders

Pedal point         
  • J. S. Bach, concluding bars of the Fugue in C major from ''The Well-Tempered Clavier'', Book I, BWV 846
  • Brahms, Requiem, 3rd movement, beginning of the closing section
  • flat}} Major, Op. 28, No. 15, bars 24–31
  • flat}} Major, Op. 28, No. 15, bars 24–31
  • J. S. Bach, concluding bars of the Fugue in C major from The Well-Tempered Clavier, Book I, BWV 846
  • Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from ''The Well-Tempered Clavier'', Book I, bars 1–2.<ref name="B&S"/> All pedal tone notes are consonant except for the last three of the first bar.<ref name="B&S"/>
  • Play}}
  • Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well-Tempered Clavier, Book I, bars 1–2
  • Purcell Fantazia upon One Note, opening bars.
  • Purcell Fantazia upon One Note
  • Schubert, Erlkönig, piano introduction
  • Schubert, Erlkönig, piano introduction
  • Wagner, opening of the Prelude to Die Walkure
  • Wagner, opening of the Prelude to Das Rheingold.
  • Wagner, opening of the Prelude to Das Rheingold
  • Wagner, opening of the Prelude to Die Walkure.
SUSTAINED TONE, TYPICALLY IN THE BASS, DURING WHICH AT LEAST ONE FOREIGN, I.E., DISSONANT HARMONY IS SOUNDED IN THE OTHER PARTS
Organ point; Double pedal; Inverted pedal; Internal pedal; Pedal note; Inverted pedal tone; Pedal notes; Dominant lock; Dominant pedal; Tonic pedal; Pedal points
In music, a pedal point (also pedal note, organ point, pedal tone, or pedal) is a sustained tone, typically in the bass, during which at least one foreign (i.e.
https://en.wikipedia.org/wiki/Pedal_point
pedal note         
  • J. S. Bach, concluding bars of the Fugue in C major from ''The Well-Tempered Clavier'', Book I, BWV 846
  • Brahms, Requiem, 3rd movement, beginning of the closing section
  • flat}} Major, Op. 28, No. 15, bars 24–31
  • flat}} Major, Op. 28, No. 15, bars 24–31
  • J. S. Bach, concluding bars of the Fugue in C major from The Well-Tempered Clavier, Book I, BWV 846
  • Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from ''The Well-Tempered Clavier'', Book I, bars 1–2.<ref name="B&S"/> All pedal tone notes are consonant except for the last three of the first bar.<ref name="B&S"/>
  • Play}}
  • Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well-Tempered Clavier, Book I, bars 1–2
  • Purcell Fantazia upon One Note, opening bars.
  • Purcell Fantazia upon One Note
  • Schubert, Erlkönig, piano introduction
  • Schubert, Erlkönig, piano introduction
  • Wagner, opening of the Prelude to Die Walkure
  • Wagner, opening of the Prelude to Das Rheingold.
  • Wagner, opening of the Prelude to Das Rheingold
  • Wagner, opening of the Prelude to Die Walkure.
SUSTAINED TONE, TYPICALLY IN THE BASS, DURING WHICH AT LEAST ONE FOREIGN, I.E., DISSONANT HARMONY IS SOUNDED IN THE OTHER PARTS
Organ point; Double pedal; Inverted pedal; Internal pedal; Pedal note; Inverted pedal tone; Pedal notes; Dominant lock; Dominant pedal; Tonic pedal; Pedal points
¦ noun Music
1. the lowest or fundamental note of a harmonic series in some brass and wind instruments.
2. (also pedal point) a note sustained in one part (usually the bass) through successive harmonies, some of which are independent of it.
The Man with the Hoe         
  • "Bowed by the weight of centuries he leans <br> Upon his hoe and gazes on the ground, <br> The emptiness of ages in his face, <br> And on his back the burden of the world."
POEM BY EDWIN MARKHAM
The Man With the Hoe
"The Man with the Hoe" is a poem by the American poet Edwin Markham, inspired by Jean-François Millet's painting L'homme à la houe, a painting interpreted as a socialist protest about the peasant's plight.
https://en.wikipedia.org/wiki/The_Man_with_the_Hoe

ويكيبيديا

Gold Is the Metal (With the Broadest Shoulders)

Gold Is the Metal (With the Broadest Shoulders) was the third album released by Coil, in the year 1987. It is not a proper follow-up to 1986's Horse Rotorvator, but more a collection of outtakes and demos from the Scatology, Horse Rotorvator and Hellraiser soundtrack sessions. Some obviously correspond to earlier and later released material ("Golden Hole" to "Penetralia", "...Of Free Enterprise" to "Herald", etc.), while others ("Boy in a Suitcase") do not appear anywhere else. "The Last Rites of Spring" includes a sample by Stravinsky, also used extensively in "The Anal Staircase".

The musicians involved in this album were; John Balance, Peter Christopherson, Stephen Thrower, Alex Fergusson, Jim Thirlwell, Billy McGee, and Andrew Poppy.

https://en.wikipedia.org/wiki/Gold Is the Metal (With the Broadest Shoulders)
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